Peer-Reviewed Articles

Sexing Farina: Racial Fantasies of Episodic Gender in the  Hal Roach Our Gang Comedies (Forthcoming in PMLA )
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"Feast your eyes, glut your soul”: Lon Chaney, Tod Browning, Disfigurement, and the Limits of Redemptive Affects (Forthcoming in Cinema Journal)
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"Better Travel through Brand Names: The Couture Grand Tour in Paris is a Woman’s Town and Gentlemen Prefer Blondes."   MFS: Modern Fiction Studies 62.1 (Spring 2016): 1-24.
https://muse.jhu.edu/login?auth=0&type=summary&url=/journals/modern_fiction_studies/v062/62.1.fusco.html

“Squashing the Bookworm:  Manly Attention And Representations of Male Reading in Silent Film”.  Modernism/Modernity 22.4 (November 2015): 627-650.
https://muse.jhu.edu/login?auth=0&type=summary&url=/journals/modernism-modernity/v022/22.4.fusco.html

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"Voices from Beyond the Grave: Virtual Tupac’s Live Performance at Coachella.”  Camera Obscura 30.2 (2015): 29-53.
http://cameraobscura.dukejournals.org/content/30/2_89/29.abstract

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“The Actress Experience: Cruel Knowing and the Death of the Picture Personality in Black Swan and The Girlfriend Experience.” Camera Obscura 28.1 (2013): 1-35.
http://cameraobscura.dukejournals.org/content/28/1_82/1.abstract

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“Love and Citation in Midnight in Paris: Remembering Modernism, Remembering Woody.” The Blackwell Companion to Woody Allen. Eds. Peter Bailey and Sam Girgus. Oxford: Wiley-Blackwell, 2013.

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“Taking Naturalism to the Moving Picture Show: Frank Norris’s Influence on D.W. Griffith’s Narrative Development from A Corner in Wheat to The Birth of a Nation.” Adaptation. 3.2 (September 2010): 132-154.

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“Systems Not Men: Producing People in Charlotte Perkins Gilman’s Herland.” Studies in the Novel. 41.4 (Winter 2009): 418-434.

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“Brute Time: Temporal Representation in Vandover and the Brute and the Actuality Film” Studies in American Naturalism. 4.1 (Summer 2009): 22-40.

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